I’ve been challenged recently to let my spiritual outflowings seep into and connect with my creative outflowings. Idealistically this means taking what I’ve learned, what I’m feeling, what I’m experiencing with God and making a physical object, a beautiful work that serves as a reminder and a holder for all those emotions to be remembered during my time here on earth. Practically, this means making Jesus Art. Unfortunately the image that comes to mind is pretty sunsets, a sparkly cross, a white bearded shepherd with a fuzzy little lamb. However, this is not the outpouring of my heart, nor my creative juices, and nothing of this sort will be produced while I’m the one with the paint brush!
In my time here in art school, it’s been really important to me to stay connected to the studio side of things. I came to OU as a Studio major, after all. My first loves were the pencil and the paint brush, not the mouse and the laptop. During my stint as an engineer I feel like I lost a lot of the pure creativity and definitely the skill, and I’m constantly working to grow it back. As a VisComm major, there is an incredible stigma throughout the school that we’re snobby stuck-up non-artists who can’t draw, use Photoshop as a crutch, and think our design work is more important than any other class or art. I’ve made it my goal to make sure I stretch out into the studio classes and break the stigma. I love design, and I take pride in it, and certainly wouldn’t say my major was anything other than VisComm, but I want to help bridge the gap. I want to be a part of the art school community as a whole, contributing and growing and learning from all the other artists.
I only have six art electives left before I graduate. Maybe eight. That means I can try six to eight different things, or I can delve deep into two and a half different mediums. I’ve begun Serigraphy, and I’m having fun, but I don’t know if I want to continue. I’d love to take a drawing class and a sculpture class. Out of all of this, though, if my schedule permits, I’d love to really pursue painting. Before today, I wanted to do it because I know I like it and want to grow in it. After today, however, I’m invested in it a little more.
I attended an artist’s lecture for a potential new painting faculty today, and she was so inspiring, so wonderful, I will be sorely disappointed if she doesn’t come teach here. First of all, I think we’d be great friends. Our personalities are so similar, and she would just get excited about something and have a sparkle in her eye and use silly, unprofessional words and it was just so charming, I couldn’t help but like her. But what really struck me was her attitude towards her work. She creates with a tangible passion like I’ve never seen. Her paintings are her friends, her journals. She loves to use botany in her work and has a deep connection to it, almost a language that springs from it that she’s interwoven into her work. Everything she does has a meaning, a feeling, an intimacy.
Beyond her own feelings and emotions, she’s aware of what’s going on the world and takes it very seriously in her work. In the classroom there is always discussion of the news and what’s going on, and she said we as artists are privileged with our creativity as a means of communicating with a larger audience about things that are important. More than that, there was a sense that it was our duty, our job to use our creativity in this way. There was an awareness of meaning beyond personal, stretching to the class, the city, the nation, the world. Any work takes on a different meaning in each of those contexts.
I couldn’t help but see her passion and think of how great it would be if she loved Jesus. She said in her lecture that she didn’t know much about religion, so I feel safe assuming she’s not a Christian. But if her works are that full of meaning and passion already, with so much care for what’s around her and what she’s feeling, how much more so would she flourish under God’s purpose and plan? It’s like she’s almost there, despite knowing little. She has the perspective down, the selflessness down, and now she just needs the Creator, the Designer, the Artist.
Which brings me full circle. If that’s her level of passion without Jesus, how much more should I be passionate about what I’m doing? How much more should I search and dig and care about who God is and what’s going on in His world? And how much more time and effort and energy should I pour into my paintings, going beyond simply a journal entry and stretching into a prayer, a face-to-face conversation with the Holy God? The thought gives me goose-bumps. But more than that, it gives me passion, I cannot wait to create.







